First published in 1968.

First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear.

First published in 1938. This is a survey of Shakepeare's comedies which illustrates the playwright's increasing grasp on the art and idea of comedy.

This volume gives as complete an account as possible of the Shakespearian experience, particularly in terms of one play, King Lear, but in general against the context of all of his work and that of the age in which it was created.

The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to ...

This book ascertains what sources Shakespeare used for the plots of his plays and discusses the use he made of them; and secondly illustrates how his general reading is woven into the texture of his work.

Many kinds of study are needed in order to understand the tragedy of Macbeth and this book provides a wide range of studies that respect the individuality of the text and examine it from different viewpoints.

This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety.

This collection of essays by the first General Editor of the New Arden Shakespeare brings together the best of Ellis-Fermor's Shespearean criticism, in addition to outstanding essays on Coriolanus and Troilus and Cressida.

This volume explains and analyses the last plays of Shakespeare as dramatic structures. A major part of the book is devoted to analyses of Cymbeline, The Winter's Tale, The Tempest and King Henry VIII.