Sarolta Ban Photograph Abyss

Sarolta Bán was born in Budapest, Hungary, 1982. She started her career as a jewelry designer and later discovered the world of image manipulation. She creates photographs that truncate probability a

Sarolta Bán was born in Budapest, Hungary, 1982. She started her career as a jewelry designer and later discovered the world of image manipulation. She creates photographs that truncate probability a

Sarolta Bán was born in Budapest, Hungary, 1982. She started her career as a jewelry designer and later discovered the world of image manipulation. She creates photographs that truncate probability a

Sarolta Bán was born in Budapest, Hungary, 1982. She started her career as a jewelry designer and later discovered the world of image manipulation. She creates photographs that truncate probability a

Sarolta Bán was born in Budapest, Hungary, 1982. She started her career as a jewelry designer and later discovered the world of image manipulation. She creates photographs that truncate probability a

Framed montage of memorabilia from the film Dirty Harry, featuring autographed photo of Clint Eastwood and Ray Ban sunglasses worn by Clint Eastwood. Includes certificate of origin from Client Eastwoo

good condition, see photo's

Vintage Bausch & Lomb Ray-Ban Aviator 12k sunglasses with case. Vintage WW2 backpack in first photograph is not included. Winner shall receive the exact item shown here.

LONDON, Jack (1876-1916). A pair of first editions, including: The People of the Abyss. New York: The Macmillan Company, 1903. Large 8vo. Illustrated from photographs. Original gilt-stamped grey blue

ANTON GIULIO BRAGAGLIA (1890–1960) | ‘The Cellist’, 1913 | Vintage silver print, sepia-toned, double-weight semi-matte paper on the original cardboard 34,5 x 31 cm, in excellent cond

RUDOLF SCHWARZKOGLER (1940–1969) | 3rd Action, Vienna, May 1965 | Photo by Ludwig Hoffenreich (1902–1975) Gelatin silver print, printed in 1973, double-weight matte paper, unique large for

DIANE ARBUS (1923–1971) | Kenneth Noland and Stephanie Gordon, New York 1966 | Vintage silver print, double-weight semi-matte Agfa paper, image in excellent condition (signs of wear do not affec

DAVID LACHAPELLE (*1963) | ‘Early Fall’, Los Angeles 2008–2011 | Chromogenic print, Alu-dibond mounted, in original frame with shadow gap 110 x 74,5 cm, in excellent condition From t

ARNULF RAINER (*1929) | Death mask Marie von Ebner-Eschenbach, 1978 | Gelatin silver print, double-weight matte paper, overpainted in mixed technique, unique art work in perfect condition From the ser

THOMAS HOEPKER (*1936) | Muhammad Ali’s Punch, Chicago 1966 | Vintage silver print, double-weight semi-matte paper, in very good condition 27,4 x 20,8 cm Signed in pencil on the reverse, various

NOBUYOSHI ARAKI (*1940) | Untitled, 1991 | Chromogenic print, printed later on Fuji Archive Crystal paper, in perfect condition From the series ‘Colorscapes’ 58 x 46 cm Signed by the artis

JAROSLAV RÖSSLER (1902–1990) | Untitled (Self-portrait), 1929 | Gelatin silver print, printed in the late 1950s / early 1960s on single-weight glossy paper, in perfect condition 18,5 x 18 c

RENÉ BURRI (1933–2014) | ‘Che Guevara y su tabaco’, Havana, January 1963 | Gelatin silver print, printed in the 1990s on double-weight semi-matte paper, in perfect condition 21,

AUGUST SANDER (1876–1964) | ‘Bauernmädchen’ (Country girls), Westerwald 1925 | Gelatin silver print, printed in 1990 by Gerd Sander, double-weight semi-matte paper, in perfect c

JULIAN SCHNABEL (*1951) | Untitled (Self-portrait), 2008 | Unique Polaroid 20x24 inch, in perfect condition 62 x 52 cm Numbered “508.0121.1” and annotated “ORIGINAL” on the rev

EDWARD S. CURTIS (1868–1952) | Wisham Indian spearing salmon in the Colombia River, 1909 | Vintage Orotone glass in original wooden frame 47 x 39 cm, in perfect condition From the series ‘

JIMMY NELSON (*1967) | Tufi, Papua New Guinea 2017 | Archival pigment print, mounted on aluminium, in the original artist frame 120 x 100 cm with museum glass, in perfect condition 100 x 80 cm Signed

NAN GOLDIN (*1953) | ‘James and Kyle backstage’, Magaschoni Show, New York 1995 | Cibachrome print, printed later, in perfect condition From the series ‘James King, supermodel’

ROBERT CAPA (1913–1954) | Collaborator, Chartres, August 16, 1944 | Gelatin silver print, printed in the 1970s on single-weight glossy paper, in excellent condition 19,5 x 29 cm Archive stamp of